The story itself follows the same plot as the Brothers Grimm
fairy tale so it should be very familiar to most young readers. Neil Gaiman
adds his own touch to it but readers should not expect the eerie, spooky twists
of his other books. Gaiman even says at the end that he writes it
“matter-of-factly” although his descriptions develop the dire and desperate
emotions of the characters. The abstract, black-and-white illustrations help to
set the tone and add a mysterious aura to the story.
An interesting addition to the book is found at the back
where readers will find notes from the author and artist as well as a history
of the Hansel and Gretel fairy tale. Gaiman shares how he was terrified to hear
the story on the radio when he was five and how it came to mind at various
moments of his life. Readers will learn how different versions of the story
have arisen with Hansel and Gretel’s father typically becoming more caring
about his children. The mother is not portrayed in a positive light and later
versions sometimes describe her as a stepmother. Similar plots can be found in
other cultures and the fairy tale was produced into a popular opera in 1893.
The book also points out some examples of symbolism that can be found in the
story.
What didn’t work as well:
I’m expecting more of Gaiman’s writing style in the story
but I’m surprised it’s not there. That’s not a terrible thing but readers will
probably anticipate more of a twist than they get.
The Final Verdict:
Bottom line, it’s another version of the popular fairy tale
but readers won’t notice anything dramatically innovative. The illustrations
help to develop creepy feelings and Gaiman skillfully adds his own descriptive
style. Overall, it’s a good story that should appeal to lovers of the Brothers
Grimm.
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