What worked:
Ronan is a human detective, but he investigates crimes
related to faerie creatures. The first third of the plot finds him transporting
rogue leprechauns imprisoned in a magical purse to a leprechaun king who will
administer their punishment. This trip takes place below ground where Ronan
encounters many other strange characters and beasts. However, the real story
begins after the prisoners are delivered, as Ronan and a ladyship of female
colleagues set out to capture Ronan’s nemesis, Lord Desmond Dooley. Dooley has
enlisted the help of a world-famous entertainer who is bankrolling their evil
deeds, and he always seems to be one step ahead of Ronan.
Ronan has a crush (or is he in love?) with his superior
officer, and these feelings have been growing throughout the series. In a
previous book, Ronan impulsively told her he loved her, so now he struggles to
figure out if they might actually become a couple. Other characters notice
which adds to the humor of the book. The thoughts pop up in Ronan’s mind more
than necessary, but their relationship gains some clarity later in the plot.
This book is meant to be humorous, and it succeeds using
bizarre mental images and wordplay. Picture a piece of cheese being the mayor
of a town, Ronan wearing a pink wig during the adventure, and a villain having
magical dancing feet as his superpower. Imagine a delegation of characters
including the ghost of a toad wearing kabuki makeup, a Scottish cat wearing a
soccer jersey, and a buff mythological Hawaiian dwarf wearing a grass skirt and
lei of flowers. Ronan suggests his group should be called a ladyship, not a
fellowship since most of the participants are female. They are captured in a
tricky replica of a castle, and their escape requires a very unusual strategy.
What didn’t work as well:
This book requires a tolerance for silliness and crude
humor, but thankfully, many middle-grade readers love these same qualities. The
biggest issue is overly-descriptive details that are used to emphasize the
humor. While funny, these descriptions slow down the plot and create
distractions from what’s actually happening. The playfulness of the narrative
is often strange, so readers need to balance their experiences with absurdity
and the “seriousness” of the plot. The over-description is less noticeable
during the mission to find Dooley.
The Final Verdict:
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