The main conflict involves Lei’s family’s aumakua, their
ancestral guardian, as Kaipo may rot away after losing his pendant. Lei lives
in Colorado so she’s still learning about her Hawaiian heritage during her visit
to the islands. Kaipo is reluctant to help Lei find the invisible island since
he doesn’t want her to risk her life to help him. Also, grumpiness and lack of
cooperation are signs of rotting which causes Kaipo to dampen Lei’s mood and
hinder her efforts. Shaky connections between characters present a wide variety
of feelings and conflicted relationships and Lei struggles to navigate the
murky emotional waters. The conflict involving Kaipo’s lost pendant is resolved
halfway through the book but Lei inadvertently creates another major crisis in
the process.
Everyone knows about the beauty of Hawaii but using its
culture as the setting for a novel is not commonly done. The characters
frequently use Hawaiian vocabulary that adds authenticity to the story. These
terms aren’t limited to individual words as characters sometimes use the
Hawaiian language in phrases or sentences. The story includes Hawaiian geography,
food, and music and the plot includes various gods. Pele was the main
antagonist in the first book and the fire goddess returns in the later chapters.
Lei’s interactions with her family, aumakua, friends, and other characters
communicate a strong sense of Hawaiian community and heritage.
The cast of characters is comprised of unique personalities to
create entertaining moments for readers. A highlight is a wind spirit called
Makani who behaves as a loyal friend to Lei. Makani is invisible air and can’t
speak but they communicate emotions by soft breezes to a cheek or strong gusts that
can almost knock someone off their feet. Ilikea is the aumakua for another
family but she’s also Lei’s friend. Lei agrees to help her develop a more meaningful
bond with Kaukahi but that’s a very daunting task. Ilikea and Kaipo take the
form of teenage girl and boy but they can also transform into a bat and owl,
respectfully.
What didn’t work as well:
The book is based on Hawaiian folklore and many cultural terms are
used right away. Readers may be confused by some of the references as they
can’t always be interpreted by using context. I was forced to look up some
terms I couldn’t figure out. Perhaps the vocabulary is better explained in the
previous book, which I haven’t read.
The final verdict:
The conflict in the second half of the book is more dramatic than
the first. Elements of friendship are explored and Lei battles an internal
struggle to bring peace and balance to her own life. This book will appeal to readers
interested in Hawaii or other cultures and I recommend you give it a shot.
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